Sang Hoon Degeimbre (chef at L’Air du Temps) on stage at TFP2010. Photo by Piet De Kersgieter.

As mentioned in my previous post on The Flemish Primitives 2010 (TFP2010) two chefs had taken their inspiration from Asia. Peter Goossens had come across high pressure processing during a study trip to Japan, and had developed this further in cooperation with Stefan Töpfl. Korean born Sang Hoon Degeimbre (of L’Air du Temps) on the other hand had returned to his roots to study kimchi, the ubiquitious Korean staple food. It is a pickled dish made of vegetables with various seasonings, and it is a very common side dish in Korea. In fact, it’s so common that Koreans say “kimchi” when being photographed, just like we say “cheese” in English.
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I just received an alert today about a major review article on molecular gastronomy: Molecular Gastronomy: A New Emerging Scientific Discipline (DOI: 10.1021/cr900105w) is a British-Danish joint publication by Peter Barham, Leif H. Skibsted, Wender L. P. Bredie, Michael Bom Frøst, Per Møller, Jens Risbo, Pia Snitkjær, and Louise Mørch Mortensen. Peter Barham is a professor in polymer physics at the University of Bristol, author of The science of cooking and probably doesn’t need further introduction. The Danes are all associated with the Department of Food Science at the University of Copenhagen and have a varied background in chemistry, food science, sensory science and psychology background. Check out the links to their individual profiles more info on projects and publications. Leif H. Skibsted and Michael Bom Frøst head several molecular gastronomy related projects. The Danish scientists also work closely together with Claus Meyer, chef at Meyers madhus and visiting professor at Copenhagen University, and Torsten Vildgaard, assistant head chef at Denmark’s gastronomic shining star Noma (which Claus Meyer started together with René Redzepi in 2004 – they were ranked 3rd in Restaurant magazines top 50 list for 2009, only surpassed by el Bulli and The Fat Duck).

Considering the impact factor of Chemical Reviews (ranked as a clear no. 1 among chemistry journals), this review will likely remain the review on molecular gastronomy for years to come – so you can just as well go ahead and read it. It’s got a whopping 53 pages and more than 350 references, and will be very useful for further studies and research. Oh, and the authors have opted for sponsored access, meaning that you can download the whole review for free!

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Shellfish after treatment for 2 min @ 6000 bar. Fresh, juicy and tasty!

The available litterature in English (including blogs) on popular food science focuses mainly on Western cooking, although the academic litterature on Asian foods is catching up quickly. Although widespread and apparently “well known”, Asian cooking is still largely being referred to in broad categories such as Chinese, Indian etc. Having spent 10 years of my childhood in Asia I’ve always had the feeling that this wasn’t quite right, and I do indeed look forward to learn more about the science aspects of Asian food in the years and decades to come. In one of the breakout sessions (more about those in a separate post) Alok Nandi made a point that Indian cuisine is as diverse as the European cuisine. With this background it is interesting to note that two of the chefs presenting at The Flemish Primitives 2010 had taken their inspiration from Asia.
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Again I was lucky that all the practical details worked out so I could attend this year’s Flemish Primitives in Brugge. For some one who’s not attended, it’s not so easy to grasp the concept and ideas behind The Flemish Primitives (TFP). And I admit, even though I’ve been there twice it’s not so easy to convey it in a short way. First of all the name is rather cryptic (unless you’re into art) as it refers to early Netherlandish painting. The link to food is described as follows by the organizers of the event (my highlights):

In the 15th and 16th century, ’The Flemish Primitives’ were masters in combining their talent with new techniques. Techniques they developed by interacting with other disciplines like manuscripting, sculpting, etc. This way of working changed the painting techniques in all of Western Europe forever. The event ‘The Flemish Primitives’ wants to continue in the same spirit. Respect for food products and beverages, the knowledge of the classic cooking techniques combined with a stimulation of new techniques and creativity. By promoting interaction between scientists, the world’s most famous chefs and artists, the event wants to deliver a creative boost for the food industry and gastronomy in Belgium and the world.

Considering last year’s sucess it was no big surprise that this year’s event was sold out (and the foyer of the Concertgebouw was equally full in the coffee breaks). And with the memories from last year I arrived in Brugge with great expectations. One main difference from previous years was that the scientific parts were much better integrated throughout the day. Scientists were on stage alongside the chefs, explaining their work. Also, contrary to last year’s back stage kitchen, they had now moved the kitchen onto the stage, flanked by a bar, some sofas and laboratory mezzanine. A good decision!
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