Chocolate pasta suspended for drying.

For this round of TGRWT I decided to use the recipe (Chocolate Carbonara with Parmigiano Reggiano Cream and a Chocolate-Dipped Grissini Wrapped in Prosciutto di Parma) by Masaharu Morimoto which I’ve blogged about previously. I was quite intrigued by that recipe and wanted to try it! So here it is, converted to metric units with some small adjustments. The original recipe called for 4 eggs, but this rendered the pasta dough to hard. I added two of the whites which were left over from the sauce. BTW this is why one of should better weigh out eggs instead of count them (too bad I didn’t think about his from the beginning so I could have weighed the eggs I used). The original recipe called for bread sticks with chocolate and prosciutto di Parma which I skipped (but which nonetheless sounds like a good accompaniment – as you’re probably aware of meat and chocolate also go very well together!).

(more…)

(Photo: Mette Randem)

The Norwegian journalist, writer and food lover Andreas Viestad, known to many abroad for his books “Kitchen of light”, “Where Flavor Was Born: Recipes and Culinary Travels Along the Indian Ocean Spice Route” and two seasons of “New Scandinavian Cooking” on television (DVD of season one and two is available), has his debut today in The Washington Post with a new column dubbed “The Gastronomer”. Andreas has let me know that “It will be about food and science – as seen from the kitchen rather than the lab. It is an attempt to create a sort of maverick gastronomy, with recipes”.

The first column entitled “Like Water for Chocolate” is about chantilly butter and chocolate chantilly. Elaborations of Hervé This’ classic recipe in other words!

Andreas is not a scientist, but he has a remarkable capacity for absorbing the writings of Hervé This et al. and transform this into practical advice for the amateur home cook (and my guess is that many pro’s could learn a lot as well). So if you’re looking for extreme cooking á la Adrià, Andreas is not your kind of guy:

Spending hundreds of dollars on sous-vide equipment or ordering stuff weeks in advance and toiling for two days to make a “very interesting” side dish is for people in search of a hobby, not for people who want to make something nice for dinner.

A couple of years ago Andreas invited me to proof read one of his books from a chemical perspective. The book entitled “How to boil water” (only available in Norwegian) had a similar approach as his new column – it was about how the results of food science and molecular gastronomy could be applied to “normal” cooking at home. It was quite interesting, but also challenging, because as a scientist I’m used to a different level of precision when science is involved. But then on the other hand, what Andreas writes is much more readable and entertaining than what most scientists write!

Andreas has attended several of the Erice meetings (the International Workshop of Molecular Gastronomy) and he’s frequently in contact with Hervé This and Harold McGee from whom he gets a lot of inspiration. Although the chantilly is not exactly science, Hervé has told Andreas that:

From a scientific point of view it is nothing, a mere detail, but Pierre tells me it is one of the most useful things I have ever come up with.

In my opinion the chantilly is indeed a very good place to start! Hereby his new column is recommended! And if you have never made a chantilly, why not give the chocolate chantilly a try? I’ve posted a very short recipe previously, whereas Andreas has published a very comprehensive recipe in today’s column. Enjoy!

As a late (but just in time for the deadline) response to TGRWT #8 which was announced by Chadzilla in December last year – here is finally my write up on a recipe and a little on the background of this flavor combination which has become a classic in molecular gastronomy.

Heston Blumenthal introduced it around 2002 at The Fat Duck. It’s well worth reading what Heston wrote about this combination back then. He describes how salt can help bring out the flavor of many desserts. At one point he tried caviar and white chocolate – the effect was stunning. He then wanted to find out why this combination was so successful:

I gave some caviar and chocolate to François Benzi, who works for Firmenich, the flavourings and perfumes company based in Geneva. He was so surprised at the way that the caviar and chocolate melded together that he excused himself for half an hour while he tried to discover the reason behind the success of this union.

When he returned, the response was that both the chocolate and caviar contain high levels of amines. These are a group of proteins that have broken down from their amino acid state but not so far as to become ammonia. Amines contribute to the desirable flavours that we find in cooked meats and cheeses, among other things.

Some might object to using caviar but remember that there is no need to turn to sturgeon caviar as this species is endangered. I used caviar from Capelin which costs less than $4/€3 for a box of 50 g. As I have never tasted the “real” stuff I’m not the right person to judge about similarity or difference in aroma. And in case you also wondered about the terminology – roe is the fully ripe egg masses of fish whereas caviar refers to processed, salted roe. I decided to make a soufflé and based the recipe loosely on one of the soufflé recipes in my Larousse Gastronomique.

White chocolate soufflé with caviar
40 g white chocolate
30 g flour
1 dL milk
35 g caviar
3 eggs, separated
nutmeg

Melt chocolate on very low heat. Add 1/3 of the flour and stir, heating gently. Add a 1/3 of the milk and mix thoroughly. Add another 1/3 of the flour, then more milk and so on. Add finely ground nutmeg. Add 3 egg yolks and heat until right before the mixture sets (yeah – I admit – this is not very precise…). Then add the caviar. Beat egg whites stiff and fold them in. Pour into greased soufflé dish and bake at 220 °C for about 15 min.

Verdict: Aromas blend well together, but when eaten alone it’s perhaps a little bland. But I’m quite sure that it could be succesfully incorporated into a menu together with something acidic. The texture was nice, but the soufflé quickly falls together once it’s removed from the oven (I’ll have to post more on the chemistry of soufflés some other time – Hervé This has written a lot about this).

If you try to make this – note that white chocolate doesn’t behave excately like butter when you add the flour. It all got very thick, very fast – that’s why I started adding milk early. I also guess you have to be really careful when heating the whtie chocolate, but I didn’t do any stress tests here.

This is what the mix looks like before I folded in the egg whites.

For my first attempt at this recipe I used 20 g flour and 15 g caviar. The result was that the caviar sedimented before the soufflé had set, besides the fact that one could hardly taste the caviar at all. On my second attempt however, there was enough flour to keep the caviar suspended until the soufflé set. And one could actually also taste the caviar.

And now on to the chemistry behind:
I promised that I would come back with more information about the chemistry behind this pairing, but there isn’t very much information out there. There is one paper on aroma development in block-milk which used in the production of white chocolate. This paper lists a couple of volatiles, but only with their relative peak areas. Turning to caviar (or roe), there is a recent paper on flavor characterization of ripened cod roe, and this paper includes qualitative information about odor intensity.

Comparing the list of volatiles, the following volatiles which contribute substantially to the odor of ripened cod roe are also found in block milk (followed by odor thresholds in water, given in ppb, taken from this page):

2-butanone (50000 ppb)
2-methylbutanal (1 ppb)
3-methylbutanal (0.2-2 ppb)
pentanal (na)

Of these, the first has a high odor threshold, so it’s not likely to be an impact odorant in block-milk (and white chocolate). The methylbutanals however probably contribute to the overlapping aroma of roe and white chocolate. I didn’t find any threshold value for pentanal.

One group of compounds which was not mentioned in the paper on cod roe odor from 2004, but which was mentioned in a Russian paper from 1967 are amines (Golovnya: “Gas-chromatographic analysis of amines in volatile substances of salmon caviar”). Considering the fact that trimethylamine has a threshold in the range of 0.37-1.06 ppb, and that trimethylamine is found in block-milk suggests that it might contribute significantly to the odor of both white chocolate and roe. I guess the reason trimethylamine (and the whole range of other, closely related amines) is not found in the odor analysis in the 2004 paper has to do with the analytical method used.

The fact that amines are crucial is further supported by the Guardian article I quoted from in the beginning where Heston Blumenthal describes how he turned to François Benzi, a flavor chemist at Firmenich, to find out why white chocolate and caviar is such a good match. Benzi concludes that it is due to the presence of similar amines in white chocolate and caviar.

For this month’s TGRWT I wanted to make a cauliflower cream and serve it with something crispy. Considering the fact that cocoa and parmesan are also a good match I googled for parmesan crisps and found a nice recipe for “frico” – Italian parmesan crisps. The cauliflower cream was invented in the process of making it.

Cocoa frico
40 g parmesan, grated
2 t cocoa

Mix parmesan and cocoa. Divide into six portions on a parchment paper (use cake rings with a diameter of approx 9 cm). Bake for 4 min at 175 °C. Leave to cool. If made to thick, the fricos will be chewy rather than crispy.

Grate parmesan and mix with cocoa.

Transfer to parchment paper.

After baking the fricos look like this – let them cool for a couple of minutes before handle them.

If you want to make “baskets”, invert them over a wine cork or something similar.

Cauliflower cream
1/2 cauliflower, in slices
2.5 dL water
1.5 dL sour cream
2 t salt
1 t xanthan

Cut cauliflower in pieces and spread on aluminum foil. Bake for 40 min at 175 °C. Add water to cauliflower and pureé with immersion blender until smooth. Add sour cream, salt and xanthan and blend. Pass through a fine sieve and transfer to a 1/2 L whipper and charge with nitrous oxide. Note: To use up this portion of cauliflower cream makes you’ll have to make 20-30 cocoa fricos!

Caramelized cauliflower with nicely browned edges.

To serve, place frico on plate, fill with cauliflower cream and sprinkle with pepper.

The baskets were a little to large to grab, and impractical to eat with a knife and a fork. The flat half-moon pictured at the top of this post was easier to eat just using the fingers.

Verdict: A nice appetizer! Fricos have a strong parmesan flavour with a hint of cocoa. Aromas blend well, but the dish could need some kind of freshness added to it – Any suggestions?

Recipes for Bluberry martini jelly shots (top right), B-52 jelly shots (bottom right), Prosecco gelée (middle left) and Gin and Tonic gelée (middle) are given below.

Just wanted to point you to a beautiful picture gallery of edible cocktails accompanying an article by Betty Hallock at LA Times, “Cocktails you can eat”.

The recipes (shortened and converted to metric units by me) are as follows:

Blueberry martini jelly shots
300 mL vodka (blueberry flavored)
60 mL simple syrup
25 g gelatin (6.9%)
35 fresh blueberries

Mix vodka and syrup in small saucepan. Add gelatin and leave for 5-10 min until soft. Gently heat saucepan and stir until gelatin dissolves (approx. 10 min). Strain to remove any undissolved gelatin. Place bluberry in cocktail mold and pour vodka mixture into each mold. Cool until set. Makes about 35 cocktails of 15 mL each. (Adapted from Bar Nineteen 12)

Prosecco gelée
1 length of a vanilla bean
140 g sugar
15 g gelatin sheets, bloomed (3.1%)
340 mL Prosecco (or other white wine)

Scrape seeds from vanilla bean and mix thoroughly with sugar. Mix water and sugar in saucepan and heat over high heat until syrup almost comes to a boil. Remove from heat and bloomed gelatin and stir until it dissolves. Add wine and stir gently. Pour into 20 x 20 cm pan lined with plastic wrap and cool until set. Cut into squares, turn upside down to display settled vanilla beans and serve. (Adapted from Craft pastry chef Catherine Schimenti)

B-52 jelly shots
170 mL Kahlúa
170 mL Baileys
170 mL Grand Marnier
24 g gelatin sheets (4.7%)

Place each liqueur in separate bowls and add 8 g gelatin to each. Cover and leave until gelatin has softened. Pour Kahlúa/gelatin into a saucepan and heat over low heat until gelatin dissolves. Strain to remove any remaining solids. Pour liquid into a 10 x 20 cm pan lined with plastic wrap. Cool for about one hour. Repeat with Baileys, and then with Grand Marnier, pouring the newly prepared liqueur on top of the set liqueur in the mold. Cut into pieces and serve. (Adapted from Bar Nineteen 12)

Gin and tonic gelée
170 mL gin
10 g gelatin (2.2%)
280 mL tonic water
finely grated zest of 4 to 5 limes
1 T citric acid
1 1/2 t baking soda
1 T powdered sugar

Let the gelatin soften in gin for 5-10 min. Heat over low heat and stir until gelatin has dissolved. Pour in tonic water carefully (to avoid it from bubbling over), swirl the contents to obtain a homogeneous mixture and immediatly pour contents into 40 mL molds. Cool. To serve, unmold the gelée and sprinkle each cocktail with lime zest and a little of the premixed citric acid, baking soda and powdered sugar. Serve immediately. (Adapted from Providence pastry chef Adrian Vasquez) For reference, you might want to compare this recipe with Eben Freeman’s Jellied G&T.

You might notice that the amount of gelatin varies over a pretty large range from 2.2-6.9%. This is also well above the typical concentration found in jellies (0.6-1%). A possible reason for the large range would be that alcohol interferes with the setting of gelatin, and a quick plot of gelatin vs. alcohol content suggests that this might be the case.

But as you can see from the B-52 jelly shots, the same concentration of gelatin is used for Baileys (17% alcohol), Kahlúa (26.5% alcohol) and Grand Marnier (40% alcohol), so there should be some room for variation here (I doubt that the resulting variation in texture was actually intended in this recipe). So if we round off, the linear regression yields the following correlation between gelatin and alcohol:

% gelatin to add = (% alcohol in final mix x 0.1) + 2

One thing that surprises me is that none of the recipes call for gellan? This hydrocolloid is said to have superior flavor release properties as it is more prone to break once you chew it. From what I know, it should work fine with alcoholic beverages. Has anyone tried this yet?

In the last minutes of the TGRWT #6 I decided to make a simple apple cake and add some lavender. The cake was nice, but I could clearly have used much more lavender. This makes me curious about what experiences the rest of you have made combining apple and lavender.

Apple cake (with too little lavender)
100 g butter
170 g sugar
rind of 1/2 lemon
4 eggs (~210 g)
275 g flour
1 t baking powder
1 dL milk (or cream)
ca. 20 lavender leaves
3-4 apples, thinly sliced
3-4 t sugar

Mix butter and sugar. Add eggs and lemon rind. Mix flour and baking powder and add to the rest. Stir in milk and add lavender. I used leaves for the batter and ca. 15 to decorate the top. Pour batter into greased pan. Insert apple slices. Sprinkle with sugar. Bake at 175 °C for 45-55 min until golden. Cool. Serve with whipped cream.

This month’s TGRWT is hosted by Le Petite Boulanger, and the foods to pair are chocolate and meat. The recipe for the chocolate beef stock cream is inspired by the Iberian Ham Cream by Ferran Adrià/El Bulli (the recipe can be found on p. 21 in the hydrocolloid recipe collection). I used anis because it brings out the meatiness very well. After mixing in the olive oil I saw that the droplets were not properly dispersed. Addition of some lecithin which solved this problem.

Chocolate beef stock cream
100 g water
2 g beef stock powder
10 g chocolate (70%)
1/4 t anis, powdered
0.5 g xanthan
0.2 g lecithin
20 g olive oil
honey and chili oil to taste

Heat water to dilute beef stock and melt chocolate. Cool. Add xanthan and lecithin. Mix with immersion blender. Add olive oil. Mix until smooth texture. Sprinkle with chives.

Grilled pork tenderloin
pork tenderloin, cut in 3 cm thick pieces
oil
powdered anis
crushed garlic

Marinate meat with oil, garlic and anis mixture. Grill. Serve together with the chocolate meat broth cream.

Verdict: The chocolate beef stock cream has very meaty and almost nutty flavour. Honey is important to round of the otherwise slightly bitter taste of the chocolate. Chili oil gives it a bite, but can be omitted.

You can get an impression of the texture from this video:

I’m happy to finally announce the first edition of a recipe collection devoted mainly to hydrocolloids. Totaling 111 recipes, it’s available for download as a pdf file (29 pages, 433 kB).

Update: The collection has been revised and is now available for download (more than 220 recipe, 73 pages, 1.8 Mb).

The following text is from the introduction I’ve written to the recipe collection:

A hydrocolloid can simply be defined as a substance that forms a gel in contact with water. Such substances include both polysaccharides and proteins which are capable of one or more of the following: thickening and gelling aqueous solutions, stabilizing foams, emulsions and dispersions and preventing crystallization of saturated water or sugar solutions.

In the recent years there has been a tremendous interest in molecular gastronomy. Part of this interest has been directed towards the “new” hydrocolloids. The term “new” includes hydrocolloids such as xanthan which is a result of relatively recent research, but also hydrocolloids such as agar which has been unknown in western cooking, but used in Asia for decades. One fortunate consequence of the increased interest in molecular gastronomy and hydrocolloids is that hydrocolloids that were previously only available to the food industry have become available in small quantities at a reasonable price. A less fortunate consequence however is that many have come to regard molecular gastronomy as synonymous with the use of hydrocolloids to prepare foams and spheres. I should therefore emphasize that molecular gastronomy is not limited to the use of hydrocolloids and that it is not the intention of this collection of recipes to define molecular gastronomy.

One major challenge (at least for an amateur cook) is to find recipes and directions to utilize the “new” hydrocolloids. When purchasing hydrocolloids, typically only a few recipes are included. Personally I like to browse several recipes to get an idea of the different possibilities when cooking. Therefore I have collected more than 100 recipes which utilize hydrocolloids ranging from agar to xanthan. In addition to these some recipes with lecithin (not technically a hydrocolloid) have been included. Recipes for espumas that do not call for addition of gelatin or other thickening agents have also been included for completeness.
All recipes have been changed to SI units which are the ones preferred by the scientific community (and hopefully soon by the cooks as well). As far as possible, brand names have been replaced by generic names. Most of the recipes have been edited and some have been shortened significantly. In some recipes, obvious mistakes have been corrected. But unfortunately, the recipes have not been tested, so there is no guarantee that they actually work as intended and that the directions are complete, accurate and correct. The recipes have been collected from various printed and electronic sources and every attempt has been made to give the source of the recipes.

Since recipes can neither be patented nor copyrighted, every reader should feel free to download, print, use, modify, distribute and further develop the recipes contained in this compilation. The latest version will be available for download from http://khymos.org/recipe-collection.php and will also be announced at http://blog.khymos.org. Feedback, comments, corrections and new recipes are welcome at recipe.at.khymos.dot.org.

Martin Lersch
Oslo, August 2007

My first idea for this month’s TGRWT was to marinate some meat with mustard, peppermint and garlic. The meat was OK, but it wasn’t great and the flavors didn’t really come through. There was either something missing or the balance was wrong. I also suspect that the mint flavor is not very well suited for BBQ’ing.

The peppermint mustard marinade didn’t work out quite as expected.

Instead of tinkering more with the marinade I decided to google mint and mustard and found a recipe from the blog Beyond Salmon which I modified slightly:

Peppermint and mustard sauce
6 T sour cream
2 T mustard (coarse type)
1 T brandy/cognac
1 T white wine vinegar
1-2 T coarsly chopped fresh peppermint
1-2 t sugar
1-2 t worcestershire sauce
salt
pepper

Mix all ingredients. The amounts are quite approximate, all spices should be added to taste.

I served the sauce with oven grilled trout fillets, rice and steamed broccoli. The fish is easily prepared: Lay out the fillets in an oven proof tray, brushed with olive oil and maple syrup, sprinkled with salt and pepper and grilled for approximately 6-8 min at 200 °C (depending on thickness). Use thermometer if desired and aim at a core temperature of 45-50 °C.

Verdict: The sauce has a fresh, light tartness. Peppermint and mustard compliment each other very well. All in all a very delicate sauce. I wish I had made some more!

Peppermint leaf in the rain, seconds before it was harvested for the sauce.

For TGRWT #2 I made banana marshmallows with parsley. The texture came out nice, but the initially fresh parsley flavour had become grassy/hay-like over night. The litterature I referred to last time suggested that the off-flavour is produced by oxidation of unsaturated fatty acids or polyenes. There are several strategies to avoid this. The first would be not to mince the parsley as finely as I did last time to avoid exposure to the air’s oxygen. If the oxidation is enzymatic, blanching would be helpful. And it would also be worthwhile to see if addition of lemon juice (vitamin C and citric acid, are both antioxidants) would have any effect (however, on second thought this would be strange since parsley already has a lot of vitamin C!). Mirko Junge commented last time that freeze dried parsley would possibly retain more of the freshness and he most generously provided me with several samples of freeze dried parsley. I decided to proceed with the following six types of parsley for my marshmallows:

1. fresh parsley leaves, chopped to pieces of about 2-3 mm (picture above, left)
2. parsley leaves, blanched for 30 sec, chopped to pieces of about 2-3 mm
3. parsley leaves, sprinkled with lemon jucie, chopped to pieces of about 2-3 mm
4. parsley leaves, blached for 30 sec, sprinkled with lemon juice, chopped to pieces of about 2-3 mm
5. freeze dried parsley from Goutess (picture above, right)
6. plain, dried parsley from my local store (picture above, front)

I used the same recipe as last time, but split the whipped sugar-gelatin-banana mixture into six different bowls before mixing with the parsley. I used approximately 0.6-0.8 g of fresh parsley for each of the entries 1-4. I tried to estimate the amount of dried parsley to use by eye, comparing with the amount of fresh leaves. The amount of dried parsley used was less than 0.1 g, so my balance was not of much help. The picture below might give you an idea.

Six different types of parsley were prepared immediately prior to mixing with the marshmallow base to minimize oxidation.

If the term ‘parallel cooking’ has not been invented yet, this might be good time to introduce it.

I let the marhsmallows set between two sheets of greased parchment paper.

Blind tasting of banana parsley marshmallows.

My wife helped me do a blind tasting to avoid any bias. The six marshmallow samples were each associated with a three digit code and presented on a plate to the taster. We both did two rounds each (A1/A2 and B1/B2) and the results are summarised in the table below. The scoring only describes the parsley flavour unless otherwise noted.

Legend:
5 fresh parsley, strong
4 fresh parsley, weak
2 grassy/hay-like parsley, weak
1 grassy/hay-like parsley, strong
0 neither fresh nor grassy, weak overall
- disagreeable
* banana dominates

I was quite surprised once I had decoded the score sheets. Fresh parsley cut into relatively large pieces gave a parsley flavour without any hints of grassy or hay-like off flavours! Blanching or treatment with lemon juice were both detrimental to the parsley flavour, and even more so when combined. The variation observed for could be a result of an uneven distribution of the parsley in the marshmallow (increased parsley flavour if you happen to chew a leaf). The freeze dried parsley didn’t do very well compared with fresh parsley, but outperformed the dried parsley from my local store which didn’t have much flavour at all. Both samples of dried parsley however were dominated by a grassy/hay-like flavour. I should add that the grassy/hay-like flavour in itself is not especially disagreeable, but it does not go very well together with the banana.

The result is interesting and perhaps a little counter intuitive. Generally one would say that a larger surface area (= finely chopped) would enhance the flavour release. This experiment however shows that this is not universally true, especially if the flavours can be oxidized. So next time you make banana parsley marshmallows remember that less chopping gives better parsley flavour.