Archive for the ‘technique’ Category

Scientific chocolate tasting kits

Monday, February 19th, 2007

Dominique & Cindy Duby, chocolatiers based in Canada, have put together two “scientific chocolate tasting kits” (one, two). Some of the science behind is explained in their “tasting notes” (copy the text into a wordprocessor to read it). For a review of the first kit, check out Rob and Rachel’s blogpost over at Hungry in Hogtown.

The kits illustrate the use of various hydrocolloids to produce foams, gels, dispersions, emulsions and pearls. The principle of flavor pairing is illustrated and binary taste interactions are explored. They also include experiments to explore crunchy vs. soft textures. Each kit comes with four different experiments and enough ingredients to make 8 servings. Furthermore they let you serve every experiment at two different tempereatures. This is neat because is allows you to explore the great influence temperature has on texture and aroma. Each kit sells for $125 - expensive yes, but from the presentation it seems like a good bundle.

Science tasting kit no. 1
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The following is illustrated in kit no. 1:

    Experiment 1: foaming of pectin and gelatin gels, spherification of a fruit juice/chocolate emulsion (there’s no info on this, but I guess the spherification is alginate based)
    Experiment 2: explore how temperature influences sweet and bitter tastes, make a chocolate emulsion (with cream, strawberry juice, wine, cocoa butter and oil) and serve it at two different temperatures
    Experiment 3: explore the fact that “taste” is 80% smell, illustrate how salt can suppress bitterness, use a special powder made from an aromatic liquid and maltodextrin which is then dried under vacuum with microwaves (sort of like freeze drying, only this uses microwaves in stead)
    Experiment 4: Hervé This’ double dispersion chocolate “cake” made with chocolate and egg white foam which is set in a microwave oven (described in his Angewante Chemie article on molecular gastronomy), short lived crunchy texture, flavor pairing is illustrated by combining cumin and coffe with chocolate

Science tasting kit no. 2
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Kit no. 2 starts of by exploring culinary “equations” which are remarkably similar to (yet somewhat less comprehensive than) the CDS formalism described by Hervé This elsewhere. The following is illustrated in the second kit:

    Experiment no. 1: a “whisky” is constructed from ethanol lignin, aromatic aldehydes, sugars, acetic acid, oak flavor, vanilin, malt etc.
    Experiment no. 2: ice cream is made without churning using foamed egg whites to incorporate air (is this what Italians refer to as a frozen parfait?)
    Experiment no. 4: meringues floating on a pool of custard sauce drizzled with caramel

If you’d rather reverse engineer the dishes, my list of hydrocolloid suppliers might come handy. The “tasting notes” also gives you some hints if you want to have a go on your own.

Ten tips for practial molecular gastronomy, part 2

Sunday, February 11th, 2007

2. Know what temperature you’re cooking at.

A dip probe thermometer with a digital read out is a cheap way to bring science into your kitchen. It should preferably cover the temperatures from -30 to 300 °C (-22 to 570 °F). It’s a good idea to check how accurate it is. This is easily done using a water/ice mixture and boiling water.

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Fill a glas with crushed icecubes and top of with cold tap water. Leave if for some minutes for the water to cool and stir every now and then. Make sure the tip of the probe does not come in direct contact with ice. A mixture of water and ice is exactly 0 °C (32 °F). If the reading is off by 2 °C (~4 °F) or more I would take the thermometer back to the shop and claim a refund.

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Similarly, you can use boiling water as a high temperature reference point. Water boils at 100 °C (212 °F) at sea level and standard barometric pressure. The exact boiling point at your location can be calculated.

When I bought my first thermometer it turned out that the temperature readings were quite erratic so I had to return it. The one I have now however works fine (1 degree off for the boiling water is OK).

As an addition to a dip probe thermometer, contact-less thermometers with infrared sensors are becomming more affordable. Suppliers include Raytek, Strathwood, Radiant (here, here or here) and Extech Instruments (links to product pages at Amazon).

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Check out my previous blogpost for an overview of the tips for practical molecular gastronomy. The collection of books (favorite, molecular gastronomy, aroma/taste, reference/technique, food chemistry) and links (webresources, people/chefs/blogs, institutions, articles, audio/video) at khymos.org might also be of interest.

Egg white foam + microwave = Vauquelin

Sunday, February 4th, 2007

By beating air into an egg white you can increase it’s volume by a factor of approximately 8. Hervé This has shown that water is the limiting component. By adding more water you can significantly increase the volume. Addition of sugar further stabilises the foam by increasing the viscosity of the water. A very simple dessert kan be made by whisking egg whites with sugar and berries of your choice. In Norway we refer to this as “Troll cream”. There’s more on this over at eriks-food-ucation.blogspot.com. An interesting question for you to ponder upon is in what order egg whites, berries and sugar should be mixed to maximize the volume!

But there is more to such a foam than trolls! For the following experiment, use one eggwhite and a berry syrup of your choice - I used a blueberry syrup (approximately 1,5 dL). Start by whisking the egg white. Add the syrup slowly over 5-10 min while constantly whisking. Observe how the volume increases dramatically. When I did the experiment I got roughly 2 L of foam (which corresponds to a 40-50 fold increase in volume). Make sure you use a clean bowl, preferably one of metal as fats and oil cling very well to plastic bowls.

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Now comes the fun part: Put some of the egg white foam onto a plate and place it in a microwave oven to make the proteins set! Hervé This described this in a recent article and decided to name this dish “Vauquelin” after the french pharmacist and chemist Louis Nicolas Vauquelin. It does take some experimentation to find a proper combination of the power setting and the time needed for the Vauquelin to set. If you overdo it, the foam will just collapse. I used the 360W setting and 4 seconds for the Vaquelin in the picture below.

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Cutting through the Vauquelin with a knife leaves a trace which does not refill.

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Scooping out with a spoon also gives you an impression of the texture.

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Instead of blueberry syrup you can try other liquids. Hervé This suggests orange juice or cranberry juice (both require addition of sugar). Liquours also work fine (although my experimentation suggests that the volume increases somewhat less), but remember to add sugar as this stabilises the foam and rounds of the taste.

Ten tips for practical molecular gastronomy

Saturday, January 27th, 2007

In a recent survey 72% of chefs say they may want to experiment with molecular gastronomy in 2007. That’s an impressive number and considering the attention molecular gastronomy gets in media I bet many home cooks would want to experiment in the kitchen as well. Here’s a list of things to consider if you want to make a scientific approach towards cooking:

1. Use good and fresh raw materials of the best quality available.

2. Know what temperature you’re cooking at. A dip probe thermometer with a digital read out is a cheap way to bring science into your kitchen.

3. Get a basic understanding of heat transfer, heat capacity and heat conductance. “Heat” in this context des not imply high temperature since it also applies to the understanding of freezing/thawing.

4. Learn how to control the texture of food. Some key points: temperature induced changes (freezing, heating), emulsifiers, thickeners, gelling agents, moisture content, pressure/vacuum, osmosis.

5. Learn how to control taste and flavor. Some key points: flavor pairings, spice synergies/antagonies, influence of temperature (Maillard reaction, caramelization, temperature stability, volatility), taste enhancers, taste suppresants, solubility of flavour compounds in fat/water, extraction.

6. Remember that prolonged exposure to a flavor causes desenzitation, meaning that your brain thinks the food smells less even though it’s still present in the same amount. Therefore, let different flavours enhance each other. Similarly, variation in taste, texture, temperature and color can open up new dimensions in a dish. This is referred to as “increased sensing by contrast amplification”.

7. Be critial to recipes and question authority - they do not necessarily represent “the truth”. Nevertheless, you can certainly learn a lot from the experts.

8. Dare to experiment and try new ingredients and procedures. Do control experiments so you can compare results. When evaluating the outcome, be aware that your own opinions will be biased. Have a friend help you perform a blind test, or even better a triangle test to evaluate the outcome of your experiments.

9. Keep a written record of what you do! It would be a pity if you couldn’t recreate that perfect concoction you made last week, simply because you forgot how you did it.

10. Have fun!

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Heat causes many changes in food, but few appreciate how important it is to know at what temperature they are cooking and at what temperature the desired change occurs.

These tips for molecular gastronomy relate to the technical and scientific aspects of food preparation and eating, and I plan to elaborate on each of the points in separate blog posts. However, according to Hervé This’ definition of molecular gastronomy, one should also investigate the social and artistic components of cooking. A good example of this is the “Five Aspects Meal Model” developed at Grythyttan in Sweden (Gustafsson, I.B. et al. Journal of Food Service, 2006, 84.). Although intended for a restaurant setting, the general idea can also be applied for home cooking.

The meal takes place in a room (room), where the consumer meets waiters and other consumers (meeting), and where dishes and drinks (products) are served. Backstage there are several rules, laws and economic and management resources (management control system) that are needed to make the meal possible and make the experience an entirety as a meal (entirety – expressing an atmosphere).

Or to put it differently: average food eaten together with good friends while you’re sitting on a terrace with the sun setting in the ocean will taste superior to excellent food served on plastic plates and eaten alone in a room with mess all over the place.

One last thing: once you’re finished in the kitchen with your culinary alchemy, your gastro physics, your cutting edge science cuisine, your molecular cooking, your hypermodern emotional cooking, your science food or whatever fancy name you attach to it - remember the social and artistic components when you serve the food. Just so people won’t refer to you as a techno chef, a mad scientist or a modern day Willy Wonka. After all, molecular gastronomy is about the science of deliciousness, not technical wizardry.

Questions and topics for future blog posts are welcome at webmaster [a] khymos.org (substitute @ for [a]) or as a comment below.

Perfect steak with DIY “sous vide” cooking

Sunday, January 21st, 2007

One important aspect of molecular gastronomy is the application of scientific principles to food preparation in a normal kitchen. This can very well be illustrated by discussing the preparation of a steak. The surface of the meat needs to be heated to > 120 °C (250 F) for the Maillard reaction to take place at a reasonable rate. This gives meat much of it’s characteristic aroma. The interior of the meat however should not be heated to more than 50-65 °C (120-150 F) for a rare or a medium rare appearance. If the heat is provided by a frying pan with a temperature typically in the range 120-160 °C (250-320 F), the different temperature required for the interior and the surface of the meat can actually be quite difficult to achieve. Bringing the meat to room temperature before cooking by taking it out of the fridge 1-2 hours in advance helps. Also, half way through the cooking it’s advisable to let the meat rest on a plate to allow the heat to diffuse into the interior and to let the surface cool down a little.

There is however an easier way to make a perfect steak! In restaurants the method has been around since the 70’s and is known under the name sous vide (fr. under vacuum, more info on history of sous vide in this NY Times article). The meat is packed in plastic bags, vacuumed and put into thermostated water baths. This equipment is not (yet?) found in the average kitchen. So here is a simple DIY procedure. You just use a normal plastic bag, leave the meat in the water bath for 30 min (or longer) and then quickly fry both sides to generate the products of the Maillard reaction. You do need a thermometer though to control the temperature of the water bath, preferably one with a dip in probe.

1. Put the meat (I used a rib eye steak for this experiment) in a thick plastic bag. Only put one or two pieces of meat in each plastic bag - this ensures a greater contact surface with the water.

meat in plastic bag

2. Add any spices you like (salt and pepper always works well - for the experiment shown I used curry paste, soy sauce and chili sauce in stead), press (or suck) out the air and close the plastic bag tightly by tying a knot (or use a zip-lock bag). You don’t want any water to enter the bag!

meat in plastic bag

3. Heat a pot of water to the desired temperature (or use hot tap water) and place the plastic bag with meat in the water. Cover with a lid (not shown in the picture) to reduce heat loss. If you use a large pot of water it’s easier to keep the temperature constant. Also, it’s easier to control the temperature with an induction or gas stove top than with an electric plate since there is no additional heating once you turn them off. Regarding the temperature, start with 60 °C (140 F) and experiment from there (or check this table at Wikipedia for doneness temperatures of meat). You should leave the meat in the water for at least 30 minutes - more for a thicker cut. But the good thing is you can leave it for much longer (several hours) provided the temperature does not come above 60 °C (or whatever temperature you decided on). A convenient way to keep the temperature constant for a long time is to put the pan with water into the oven and use the thermostat of the oven.

meat in plasticbag, water at 59 C

4. Heat a frying pan, add a fat of you choice, remove meat from plastic bag and brown both sides of the meat. Since you take the meat directly from the water bath it’s already at about 60 °C. Therefore the browning is very fast.

meat-in-frying-pan

5. A temperature of 60 °C (140 F) gives the meat a pink interior. It’s succulent and juicy. The short frying gives it a nice browned crust and the chewing resistance is perfect. All in all a wonderful combination of taste, aroma, texture and mouth feel!

meat-interior

Update: Click for more practical tips on molecular gastronomy

Videos from MG seminar in Belgium

Thursday, January 11th, 2007

Videos from the MG seminar in Belgium held on November 20th last year have generously been made available for free on the net. There are four videos to watch: presentations by Prof. Peter Barham (‘Molecular Gastronomy? The science of taste and flavour’) and Prof. Jorge Ruiz (‘Methods in the kitchen: the science behind’) plus demonstrations by Kobe Desramault and Sang Hoon Degeimbre.

Also, Bernard Lahousse (who is in charge of food for design and a co-organizer of the MG smeinar) has let me know that the next seminar will be held on March 16th with the title “A world of Pinot noir” - focus is on wine, but with live MG demos. Stay tuned!