Dominique & Cindy Duby, chocolatiers based in Canada, have put together two “scientific chocolate tasting kits” (one, two). Some of the science behind is explained in their “tasting notes” (copy the text into a wordprocessor to read it). For a review of the first kit, check out Rob and Rachel’s blogpost over at Hungry in Hogtown.

The kits illustrate the use of various hydrocolloids to produce foams, gels, dispersions, emulsions and pearls. The principle of flavor pairing is illustrated and binary taste interactions are explored. They also include experiments to explore crunchy vs. soft textures. Each kit comes with four different experiments and enough ingredients to make 8 servings. Furthermore they let you serve every experiment at two different tempereatures. This is neat because is allows you to explore the great influence temperature has on texture and aroma. Each kit sells for $125 - expensive yes, but from the presentation it seems like a good bundle.

Science tasting kit no. 1

The following is illustrated in kit no. 1:

Experiment 1: foaming of pectin and gelatin gels, spherification of a fruit juice/chocolate emulsion (there’s no info on this, but I guess the spherification is alginate based)

Experiment 2: explore how temperature influences sweet and bitter tastes, make a chocolate emulsion (with cream, strawberry juice, wine, cocoa butter and oil) and serve it at two different temperatures

Experiment 3: explore the fact that “taste” is 80% smell, illustrate how salt can suppress bitterness, use a special powder made from an aromatic liquid and maltodextrin which is then dried under vacuum with microwaves (sort of like freeze drying, only this uses microwaves in stead)

Experiment 4: Hervé This’ double dispersion chocolate “cake” made with chocolate and egg white foam which is set in a microwave oven (described in his Angewante Chemie article on molecular gastronomy), short lived crunchy texture, flavor pairing is illustrated by combining cumin and coffe with chocolate

Science tasting kit no. 2

Kit no. 2 starts of by exploring culinary “equations” which are remarkably similar to (yet somewhat less comprehensive than) the CDS formalism described by Hervé This elsewhere. The following is illustrated in the second kit:

Experiment no. 1: a “whisky” is constructed from ethanol lignin, aromatic aldehydes, sugars, acetic acid, oak flavor, vanilin, malt etc.

Experiment no. 2: ice cream is made without churning using foamed egg whites to incorporate air (is this what Italians refer to as a frozen parfait?)

Experiment no. 3: Hervé This’ chocolate chantilly

Experiment no. 4: meringues floating on a pool of custard sauce drizzled with caramel

If you’d rather reverse engineer the dishes, my list of hydrocolloid suppliers might come handy. The “tasting notes” also gives you some hints if you want to have a go on your own.

1. Use good and fresh raw materials of the best quality available.

No amount of cooking and preparation - be it traditional, modern or molecular - can fully disguise ingredients of poor quality. No one will probably disagree with this and it’s elementary knowledge for every cook, yet I include it because after all molecular gastronomy is also about the raw materials you use. Do not always reach for the cheapest products. Eat better, but less - it won’t cost you more, because you’ll just get less calories for the same price!

I will also encourage you to support local producers. This will probably make me sound like a slow food practitioner which is fine, because molecular gastronomy is not in any opposition to slow food or traditional cooking, it’s more about understanding the chemical and physical principles underlying all handling and preparation of food. Part of my motivation when writing about molecular gastronomy is actually to bring it a little more down to earth.

When talking about freshness it’s important to consider how food deteriorates. Assuming that safety and toxicological issues are taken care of, from a molecular gastronomy viewpoint it is interesting to discuss flavor. The most important pathways to flavor deterioration include exposure to air (particularly oxygen), light, moisture, high temperature, bacteria and fungi.

The flavor of foods stems largely from the presence of volatile organic compounds. Because of the low boiling point, these compounds easily escape from the food. And at higher temperatures evaporation of aroma compounds is even faster. Also, many of the compounds can react with oxygen in air. A typical example is the oxidation of fats which gives a rancid flavor. Generally, fats and oils should be stored in the refridgerator to slow down this oxidation, but it turns out there’s an exception for olive oil.

To retain as much of the volatile compounds as possible it is advisable to store spices in tight containers kept in a dark and cool place. If you for some reason need to store spices for a long time, put them in the freezer. Since the loss of aroma comounds is proportional to the surface area of the spice, it’s also a good idea to buy whole spices and grind them yourself immediatly prior to use. I would also recommend the use of spice pastes (such as curry pastes for instance) since the oil helps extract aroma compounds. Such pastes should preferably be stored in the fridge.

Like me, you probably have many different spices in your pantry. Some of them have probably been sitting around there for years which is far from optimal. Therefore, as a reminder to myself, I have started to mark each spice with the date of opening (or purchase) using a water proof pen.

With fresh fruit and vegetables, finding the right storage conditions can sometimes be difficult, but this pdf from UC Davis provides a quick overview of recommended storage conditions (ie. what should be stored in the fridge and what should be stored on the countertop).

One last example of the importance of correct storage conditions is the staling of bread. Contrary to popular belief, staling of bread is not caused by evaporation of water from the crumb. This is easily demonstrated when you heat a slice of bread in a toaster or a microwave oven. What happens upon storage is that starch and water crystallize. As a consequence the crumb loses its elasticity and goes stale. The aging process proceeds fastest at 14 °C. Because of this, bread should be stored at room temperature - never in a fridge. When freezing bread, rapid cooling is important because the staling is halted below -5 °C.

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Check out my previous blogpost for an overview of the tips for practical molecular gastronomy. The collection of books (favorite, molecular gastronomy, aroma/taste, reference/technique, food chemistry) and links (webresources, people/chefs/blogs, institutions, articles, audio/video) at khymos.org might also be of interest.

By beating air into an egg white you can increase it’s volume by a factor of approximately 8. Hervé This has shown that water is the limiting component. By adding more water you can significantly increase the volume. Addition of sugar further stabilises the foam by increasing the viscosity of the water. A very simple dessert kan be made by whisking egg whites with sugar and berries of your choice. In Norway we refer to this as “Troll cream”. There’s more on this over at eriks-food-ucation.blogspot.com. An interesting question for you to ponder upon is in what order egg whites, berries and sugar should be mixed to maximize the volume!

But there is more to such a foam than trolls! For the following experiment, use one eggwhite and a berry syrup of your choice - I used a blueberry syrup (approximately 1,5 dL). Start by whisking the egg white. Add the syrup slowly over 5-10 min while constantly whisking. Observe how the volume increases dramatically. When I did the experiment I got roughly 2 L of foam (which corresponds to a 40-50 fold increase in volume). Make sure you use a clean bowl, preferably one of metal as fats and oil cling very well to plastic bowls.

Now comes the fun part: Put some of the egg white foam onto a plate and place it in a microwave oven to make the proteins set! Hervé This described this in a recent article and decided to name this dish “Vauquelin” after the french pharmacist and chemist Louis Nicolas Vauquelin. It does take some experimentation to find a proper combination of the power setting and the time needed for the Vauquelin to set. If you overdo it, the foam will just collapse. I used the 360W setting and 4 seconds for the Vaquelin in the picture below.

Cutting through the Vauquelin with a knife leaves a trace which does not refill.

Scooping out with a spoon also gives you an impression of the texture.

Instead of blueberry syrup you can try other liquids. Hervé This suggests orange juice or cranberry juice (both require addition of sugar). Liquours also work fine (although my experimentation suggests that the volume increases somewhat less), but remember to add sugar as this stabilises the foam and rounds of the taste.