Posts Tagged ‘texture’

Practical molecular gastronomy, part 4

Saturday, March 17th, 2007


(Photo by vintage_patrisha at flickr.com)

4. Learn how to control the texture of food

Taste and flavour normally get more attention when food is discussed, but the texture of food is equally important and our tongue is very sensitive, not only to taste and temperature, but also to the texture of food. The texture of food determines it’s mouthfeel and it is related to many physical properties of the food. Wikipedia lists the following aspects of mouthfeel (click to see the full description of each aspect) which can be useful when analyzing food:

Adhesiveness, Bounce/Springiness, Chewiness, Coarseness, Cohesiveness, Denseness, Dryness, Fracturability, Graininess, Gumminess, Hardness, Heaviness, Moisture absorption, Moisture release, Mouthcoating, Roughness, Slipperiness, Smoothness, Uniformity, Uniformity of chew, Uniformity of bite, Viscosity, Wetness

I will barely scratch the surface of how texture can be controlled by highlighting a couple of topics and point you to further resources. Hopefully it will spark your interest and give some new ideas for you to play with in the kitchen. Those interested in a comprehensive review of food texture are referred to the CRC handbooks on food texture (volume 1: semi-solid foods, volume 2: solid foods).

What determines the texture of food?
Put very simple, it’s the relative amounts of air, liquid and solids that determines the texture of food. This is complicated by the fact that liquids have different viscosities. Furthermore the air, liquid and solid ratio is not necessarily constant. A liquid can solidify or evaporate, solids can melt or dissolve, and air bubbles can escape during cooking or storage. An elegant but quite abstract way of describing the complicated mixtures of air, liquids and solids found in food, is to use the CDS formalism (CDS = complex disperse systems), introduced by Hervé This.


(Photo by Subspace at flickr.com)

How can texture be controlled and changed?
Texture can be controlled by temperature, pH, air/liquid/solid ratio, osmosis, hydrocolloids and emulsifiers – to mention a few. Here’s some examples:

  • Heating induces a change in the structure of proteins referred to as coagulation or denaturation. Typical examples are the boiling of eggs and the cooking of meat. When proteins denature they contract and become firmer. There are several helpful tables relating the doneness of different meats to temperature.
  • At around 70 °C (160 °F) collagen, the connective tissue in meat, turns into gelatin. As a result the meat becomes more tender, which is desireable in stews and other slow cooked meats.
  • Heat causes air/gas to expand and water to evaporate to give a foamy/airy texture. For example, experiments have shown that it is mainly the evaporation of water that causes a soufflé to rise.
  • Heat will cause certain hydrocolloids to solidify (for exaple methyl cellulose) whereas it will cause others to melt (such as gelatin).
  • Brining meat can greatly improve it’s texture and juicyness. This is done by immersing the meat in a 3-6% salt solution from anyhere between a few hours to two days before cooking.
  • Frozen water in the form of tiny ice crystals are important for the smooth texture of sorbets and ice cream. Ice cream that has been partly melted and frozen again will grow larger ice crystals that impart a coarser texture to the ice cream.
  • Acidic solutions (low pH) can cause proteins to denature. This allows fish to be cooked without the use of any heat. An example is the use of lime juice in ceviche.
  • Emulsifiers, thickeners and gelling agents have almost become synonymous with molecular gastronomy for many. They can greatly alter the texture of foods and typically only a very small amount is required. Where gelatin was the only gelling agent videly available to cooks in Europe and America only a decade ago, this has changed with the advent of many internet suppliers of speciality ingredients.
  • Cooking under vacuum can create new and exciting textures. First of all it’s a way of removing excess water without having to raise the temperature all the way up to 100 °C. When the water is removed, this will create pockets of air in the food, and when the pressure is released, the liquid surrounding the food that is prepared will rush in and fill these pockets. There is a commercially available vacuum cooker, but a DIY version can be made from a pressure cooker and a vacuum pump.

  • (Photo by Trinity at flickr.com)

  • Green leaf vegetables such as lettuce loose water upon storage. As the pressure inside the cells drops, the leaf becomes softer. By immersing the leaves in cold water for 15-30 min, thanks to osmosis, water will enter into the cells again. As the pressure increases, the leaves become crisper.
  • Air bubbles can greatly modify textures, and foams really are ubiquitious (which becomes obvious if you read the book “Universal foam – from cappuccino to the cosmos”). Ferran Adria’s espumas have become very popular, as has his recent invention, the Espesso. Air bubbles are also very important for the texture of ice cream, in fact ice cream is nearly 50% air (just consider the fact that ice cream is sold by volume, not by weight!).
  • A very recent addition to the modern kitchen pantry is the enzyme transglutaminase. The enzyme acts like a meat glue and Chadzilla has nice blog post on his transglutaminase experiments.
  • There are also enzymatic counterparts of transglutaminase available: proteolytic enzymes also known as proteases. You can find them in pineapple (bromelain/bromelin), papaya (papain), figs (ficin) and kiwi (actinidin) – and they are capable of degrading proteins and muscle tissue. Despite this, they have only found limited use in marinades, as their action can be difficult to control (as Nicholas Kurti experienced, look for the “But the crackling is superb” link).
  • When mixing flour and water, glutenin and gliadin react to form gluten which gives bread it’s elasticity and plasticity. Addition of 1-2% salt to bread tightens the gluten network and increases the volume of the finished loaf. Similarly, addition of 1% oil to the dough (after the first kneading) can further increase the volume. Larger amounts of fat added before kneading will interfere with the formation of long gluten strands, hence the name shortening.
  • The no-knead bread that recently hoovered around in the blogosphere challenges the conventional wisdom that bread needs kneading to get a good texture.
  • Once bread is baked, the staling process starts. Staling does not necessarily involve loss of water from the bread and is caused by crystallisation (or retrogradation) of starch. In this process water molecules are trapped. The process proceeds fastest at 14 °C, but is halted below -5 °C. This is the reason why bread should be stored at room temperature. The staling process can be slowed down by addition of an emulsifier such as lecithin which is abundant in egg yolk.
  • A way of turning high fat foods and oils into powders is by the use of tapioca maltodextrin. Hungry in Hogtown has shown how Nutella can be turned into a powder.
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    Check out my previous blogpost for an overview of the tips for practical molecular gastronomy. The collection of books (favorite, molecular gastronomy, aroma/taste, reference/technique, food chemistry) and links (webresources, people/chefs/blogs, institutions, articles, audio/video) at khymos.org might also be of interest.

    Ten tips for practical molecular gastronomy

    Saturday, January 27th, 2007

    In a recent survey 72% of chefs say they may want to experiment with molecular gastronomy in 2007. That’s an impressive number and considering the attention molecular gastronomy gets in media I bet many home cooks would want to experiment in the kitchen as well. Here’s a list of things to consider if you want to make a scientific approach towards cooking:

    1. Use good and fresh raw materials of the best quality available.

    2. Know what temperature you’re cooking at. A dip probe thermometer with a digital read out is a cheap way to bring science into your kitchen.

    3. Get a basic understanding of heat transfer, heat capacity and heat conductance. “Heat” in this context des not imply high temperature since it also applies to the understanding of freezing/thawing.

    4. Learn how to control the texture of food. Some key points: temperature induced changes (freezing, heating), emulsifiers, thickeners, gelling agents, moisture content, pressure/vacuum, osmosis.

    5. Learn how to control taste and flavor. Some key points: flavor pairings, spice synergies/antagonies, influence of temperature (Maillard reaction, caramelization, temperature stability, volatility), taste enhancers, taste suppresants, solubility of flavour compounds in fat/water, extraction.

    6. Remember that prolonged exposure to a flavor causes desenzitation, meaning that your brain thinks the food smells less even though it’s still present in the same amount. Therefore, let different flavours enhance each other. Similarly, variation in taste, texture, temperature and color can open up new dimensions in a dish. This is referred to as “increased sensing by contrast amplification”.

    7. Be critial to recipes and question authority – they do not necessarily represent “the truth”. Nevertheless, you can certainly learn a lot from the experts.

    8. Dare to experiment and try new ingredients and procedures. Do control experiments so you can compare results. When evaluating the outcome, be aware that your own opinions will be biased. Have a friend help you perform a blind test, or even better a triangle test to evaluate the outcome of your experiments.

    9. Keep a written record of what you do! It would be a pity if you couldn’t recreate that perfect concoction you made last week, simply because you forgot how you did it.

    10. Have fun!

    blue_gas_flame.jpg
    Heat causes many changes in food, but few appreciate how important it is to know at what temperature they are cooking and at what temperature the desired change occurs.

    These tips for molecular gastronomy relate to the technical and scientific aspects of food preparation and eating, and I plan to elaborate on each of the points in separate blog posts. However, according to Hervé This’ definition of molecular gastronomy, one should also investigate the social and artistic components of cooking. A good example of this is the “Five Aspects Meal Model” developed at Grythyttan in Sweden (Gustafsson, I.B. et al. Journal of Food Service, 2006, 84.). Although intended for a restaurant setting, the general idea can also be applied for home cooking.

    The meal takes place in a room (room), where the consumer meets waiters and other consumers (meeting), and where dishes and drinks (products) are served. Backstage there are several rules, laws and economic and management resources (management control system) that are needed to make the meal possible and make the experience an entirety as a meal (entirety – expressing an atmosphere).

    Or to put it differently: average food eaten together with good friends while you’re sitting on a terrace with the sun setting in the ocean will taste superior to excellent food served on plastic plates and eaten alone in a room with mess all over the place.

    One last thing: once you’re finished in the kitchen with your culinary alchemy, your gastro physics, your cutting edge science cuisine, your molecular cooking, your hypermodern emotional cooking, your science food or whatever fancy name you attach to it – remember the social and artistic components when you serve the food. Just so people won’t refer to you as a techno chef, a mad scientist or a modern day Willy Wonka. After all, molecular gastronomy is about the science of deliciousness, not technical wizardry.

    Questions and topics for future blog posts are welcome at webmaster [a] khymos.org (substitute @ for [a]) or as a comment below.